Showing posts with label John Donne. Show all posts
Showing posts with label John Donne. Show all posts

Thursday, August 28, 2014

Poetry | Five Poems, five poets, five days

Caterpillar Cafe is not a review site primarily because, being writers, we can't bear to give bad reviews especially when we know how hard it is to write anything at all. So we believe that 'Good writing lies in the eye of the reader.' So here at the cafe' we tell you what we love and why we think you will love it too. 

And one of us happens to love poetry. Yes, remember english classes- ' Tiger Tiger burning bright' ?Poetry is a lot more than memorising poems. It's perfect reading before bed as the rhythm of the lines act like a lullaby lulling you to sleep. This week I run through some of my favourite poems. 

I have to start with Donne. Donne was my introduction to how poetry can be completely absurd and yet make sense all at the same time. Donne manages to turn anything into a metaphor for love. A compass, death and now a flea. I think this is perhaps the cleverest poem written about a flea and perhaps the most erotic. Do you know another poem that combines fleas and sex. A perennial favourite, here is The Flea.

How to read? I am terrible at recognising iambic pentameters and tetrameters but here goes. This poem alternates metrically between lines in iambic tetrameter (4 iambs or syllables ) and lines in iambic pentameter (5 iambs). So it's 454545455. The rhyme scheme in each stanza is regular, in couplets, with the final line rhyming with the final couplet: AABBCCDDD.This makes the last three lines in the stanza read strange as you always think the last line remains hanging. Tell me if you think it reads differently. 



                                                 The Flea

Mark but this flea, and mark in this,   
How little that which thou deniest me is;   
It sucked me first, and now sucks thee,
And in this flea our two bloods mingled be;   
Thou know’st that this cannot be said
A sin, nor shame, nor loss of maidenhead,
    Yet this enjoys before it woo,
    And pampered swells with one blood made of two,
    And this, alas, is more than we would do.

Oh stay, three lives in one flea spare,
Where we almost, nay more than married are.   
This flea is you and I, and this
Our marriage bed, and marriage temple is;   
Though parents grudge, and you, w'are met,   
And cloistered in these living walls of jet.
    Though use make you apt to kill me,
    Let not to that, self-murder added be,
    And sacrilege, three sins in killing three.

Cruel and sudden, hast thou since
Purpled thy nail, in blood of innocence?   
Wherein could this flea guilty be,
Except in that drop which it sucked from thee?   
Yet thou triumph’st, and say'st that thou   
Find’st not thy self, nor me the weaker now;
    ’Tis true; then learn how false, fears be:
    Just so much honor, when thou yield’st to me,

    Will waste, as this flea’s death took life from thee. 



Friday, October 28, 2011

Guest Post | No Man is an Island for the Child is Father of the Man


An entrepreneur and professional doodler talks about his stumble and fall into the world of poetry...

Back in the uniformed life of school, I still remember the first time I was chosen to recite a poem for an elocution competition. The English teacher handpicked me from her ‘average-Joe’ club to fill in the vacancy of the chosen five, probably because I could blankly stare at the chalkboard without a blink for a long duration, lost in my own world, while she thought I was ardently paying attention to her. Or maybe it was just my seemingly irresistible charm! I was to join the five class toppers, for only those who topped the class, the high rankers, were showered with prospects such as these. The moment he had learnt of his son’s undeserved opportunity, my father was more excited than me. He slid open a steel trunk from under the bed which belonged to the days of his bachelor life and pulled out a dusty book. He placed the palm sized book onto my hands, carefully turned the flaky pages and said, “Here you go Son, my favorite, Wordsworth's The Rainbow. If you recite this you shall be remembered forever."

You have to realize I was just a little boy of 8 years who enjoyed capturing dragonflies and tying their abdomens with long threads to the tips of my fingers, telling tall tales to gullible friends about how I spotted superman and how he knew me by name, doodling everywhere, stealing guavas and love apples from neighboring trees, spitting competitions of bora berry seeds the furthest, being the gutter-keeper when the big-boys played cricket (12th position in street-cricket, a special position, that’s what they told me, I had to protect the ball from going in the open gutters and I took the position seriously) and watching Sunday morning cartoons on Doordarshan (the only nation-wide broadcasting channel in India). That was my philosophical paradigm, and that’s all I wanted out of life.

For a boy of my outlook, I couldn’t gauge the worth of words of William Wordsworth’s Rainbow. And after memorizing the poem a lot many times, I went on stage and rambled it out.
My heart leaps up when I behold
A rainbow in the sky;
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
Or let me die!
The Child is father of the Man;
I could wish my days to be
Bound each to each by natural piety.

To an audience, used to limericks and rhymes, a yawn was all I heard, and followed by some giggles. My ears had turned red and warm. Of course I did not win; I did not care about winning. A topper and his mother who had cleverly devised a mouth gargling, stomach churning poem about the Principal, a priest, titled "MySecond Father" won the prize and the favor of the self-absorbed judge, the priest himself. 

I forgot about William Wordsworth and the event, though he occasionally did cameo in our English text books among other note-worthy poets.

English as a subject, taught in school was a rudimentary proposition of comprehension and composition and poetry was unglamorous, taught only to be devoured and excreted during exams for marks. It was not taught as an art that has to be loved, admired, cherished, respected and held onto dearly to justify our existence. It was distasteful.

But as I grew, debating philosophies and beliefs, searching for my purpose and still searching, I read, and I fell in love with poetry. At this juncture, rainbows took the form of poetry and my heart leaped as a boy once again – only this time I was a man, who saw a rainbow as if it were his first. It was comforting.

At the risk of being sophomoric with the above display of my poetry knowledge, and not to appear as a patron to the over dramatic film called Dead Poets Society with it tragic end to one of the protagonists – poetry is for the living and those in love with life - poetry is lucid, free flowing and devoid of mechanisms. Rhyme schemes, alliterations, personifications and onomatopoeias are just figures of speech and tools employed, but words and thoughts are exclusive. Whenever two or more words are placed, profound, emphatic or somber, rhyme or no rhyme, reason or no reason, a story, love, earthly or divine, simple, creative or musically inclined, stanzas or plain lines. If I could hear you and feel your thoughts through...for me its poetry.

I will leave you to interpret the poem that had profound influence on me. I had chanced upon John Donne’s work. It struck a chord. The poem was revisited, when the American novelist Ernest Hemingway used the words from the poem as the title of his book on the Spanish civil war, For Whom the Bell Tolls. Donne, the 16th Century poet, wrote the poem as his meditation while he was being treated for continuous malaria attacks in a hospital run by monks. He helplessly listened to the monks toll the bell, whenever a patient had given in to death. Donne had carefully stitched together two themes, of how one man's death diminishes all of mankind and the fact that all mankind is connected, no one is an island.
No man is an island,
Entire of itself.
Each is a piece of the continent,
A part of the main.
If a clod be washed away by the sea,
Europe is the less.
As well as if a promontory were.
As well as if a manner of thine own
Or of thine friend's were.
Each man's death diminishes me,
For I am involved in mankind.
Therefore, send not to know
For whom the bell tolls,
It tolls for thee.

I wish upon myself that if I have to leave this world abruptly, I hope I could leave it with a stack of my own written poems in a steel trunk under my bed.... an ode to the poets who taught me how to love - from rainbows to island bells, maybe one day to be slid open for another lad to recite and have his ears turn red and warm.

Hans Albert Lewis is a prolific doodler of words and author/artist of a web comic which showcases his short-stories, paintings and poems.

Monday, August 29, 2011

Nuggets of Genius | The poetry of A K Ramanujan




Come lightly, love, let us wait – to be found, to be
lost

A.K Ramanujan came to me as a gift, literally. His Book of collected poems was the first birthday gift from my boyfriend, along with a book on Thai cooking. I got the hint! I had never read Ramanujan before and all of a sudden it was as if I had found a poetic mentor. He wrote in staccato and yet it was like a melody. Every word alternated between a punch in my face and a balm to sooth my bloody nose. You can tell why I did so terribly at literary criticism at my A Levels. I struggled with Allegory and Alliteration or to tell the Meter from the Cadence. When asked for what the The Flea by John Donne meant to me, I answered: “ Madame, it reminds me of that movie, Demolition man!” Rest assured, I did terribly. You couldn’t ask me to explain e e cummings- I carry you in my heart to save my life, but the following lines:

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart (i carry it in my heart)

-are to me, like a prayer. The perfect love letter that encompasses everything I want to say. And sometimes I read it because my mind wants to be entertained and poetry is by far the most momentary of all reading pleasures. Which is why I have never understood why so few people partake in it.

A K Ramanuja’s poems can be compared to e e cummings in that they are little nuggets of genius. (Comparative literature PhD's are creating voodoo dolls of me as I write this) Like a box of Nehaus chocolates, tiny and decadent, each bite bursts in your mouth and coats it with concentrated pleasure that stays with you a lot longer than a mediocre bar of milk chocolate. Take for instance this:

The Striders

And search
For certain thin-
Stemmed, bubble-eyed water bugs.
See them perch
On dry capillary legs
Weightless
On the ripple skin
Of a stream.

No, not only prophets
Walk on water. This bug sits
On a landslide of lights
And drowns eye-
Deep
Into its tiny strip
Of sky.

Reading this always makes me smile. I envision a little bug on a lotus leaf looking up at its sky as if from a disney novel. The reference to Christ is something I am yet to decipher. As I mentioned earlier- terrible at literary criticism.

Another from the same collection “The Striders” perfect for reading aloud. It is called Self Portrait.

I resemble everyone
But myself, and sometimes see
in shop-windows,
despite the well-known laws
of optics,
the portrait of a stranger,
date unknown,
often signed in a corner
by my father.

I think it captures so succinctly how we change ourselves to fit the people we meet, not unlike sympathetic hearing. Until we do it so much that we forget what we are really about and have to go back home to where it all started so find the little bits of the original personality.

My cleaning lady often walks in on me sitting on my sofa reading his poetry aloud. She smiles and scowls simultaneously, possibly getting ready to ask for her wages and get the hell away from this mad woman who speaks to herself.

I know very little about the man, apart from the fact he was a native of Mysore and wrote in both English and Kanada. He won the Padma Shri and at the time of his death was the Professor at Linguistics at the University of Chicago. He left behind one hundred and forty eight poems on three computer disks, some of which were published posthumously, along with this book of Collected Poems. He joked that his poems were like his babies, they dirtied themselves and he had to clean them up. He took ten years to complete a collection.

I struggled to choose my favorite for today since there are so many I love. Very little is available online and I have had to type them out and have tried my best to place words correctly. It is a shame that no one has catalogued his entire collection, as it is a fantastic example of contemporary Indian poetry that straddles eastern and westerns views with no apologies. The following site lists about ten, along with his most critically famous-The River, that takes him back to Mysore.


For now , I leave you with the last two paragraphs of Two Styles of Love

Love is no hurry, love is no burning;
It is no fairytale of bitter and sweet.
Moons may turn at the full; we return without turning.
And no mouth shall have shadow for meat.

No, no love is sudden.
Coupling hands take time to kill the frost.
Even leaping Beast shall wait to be bidden
By Beauty. Come lightly, love, let us wait – to be found, to be
Lost

Sigh…had I paid more attention in literary criticism class, I would have been able to do this exquisite poetry so much more justice.

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