Showing posts with label Mumbai. Show all posts
Showing posts with label Mumbai. Show all posts

Wednesday, April 25, 2012

An Anniversary and The Caterpillar Club

The Caterpillar Café collaboration between Afsha and Reshma turns 1 on May the 7th. Yay for us! In the coming year we’re planning on taking it up a notch with more reviews, recommendations, rants, fiction and since you like them so much--poems.

But content isn’t the only thing on our cards. We’re also initiating The Caterpillar Club for book lovers in Mumbai. The club will read a common book, meet one day a month and share their thoughts in detail. It will also be the perfect opportunity to exchange recommendations and meet fellow readers from across the city.

First meeting: Wednesday, May 16
Book we're reading: The Hunger Games by Suzanne Collins because it's a seriously good read and it's still fresh on everyone's mind since it got made into a movie. Buy The Hunger Games from Flipkart.com for Rs 221
Membership: FREE (until further notice)
Venue: To be decided.

We sincerely hope you will join us becayse we're quite kicked about meeting fellow readers in the city.

Please register your email id in the comments section if you're interested and we'll put you on our mailing list (don't worry, we won't publish them). Similarly, if you have any queries, please type them down in the comments section or alternately, send us an email here.
Hope to see you soon!

Monday, January 23, 2012

Fine Fiction | Sweet Loretta

Warren D'Sylva
Warren is a lovely guy who likes lovely things. He enjoys a spot of corporate slavery during the day and writing fiction by night. His body of work includes several plays (some of which actually make it to the stage) and short stories that he publishes HERE. We at The Caterpillar Cafe are super thrilled to expand our blog to include fiction (finally) with Sweet Loretta, a day in the life of a homeless lady getting by on the community's mercy and if need be, guilt. Hope you enjoy it!
- Afsha 

IT'S STILL SOME TIME BEFORE Loretta takes her morning walk down our street, which at this moment is at a perfect calm of deadpan, save for the sound of bread trays being pulled out of the bakery’s oven. She’s just begun her morning ablutions down by the rocks behind the old graveyard, where she sometimes goes to visit the dead asking for a place to stay.
It will take her some time before she passes this street.
The bakery is the first to roll up its shutters, but the salesmen are still in the backrooms touching each other and kneading dough with their feet. An old woman makes her way to church, her face the life source of the morning’s deadpan.

The church bells sound, but nothing moves, save for the old woman’s fingers that have just crawled into her bra for a bit of a scratch. A milkman zips by on his cycle. He’s hurrying to catch a glimpse of a woman bathing behind the rocks. Four milkmen and three paperboys convene each morning for a private showing on the rocks just behind the graveyard. But, he’s late today because Loretta’s already put her clothes on and left the scene. He’ll have to hear it from the paperboys who’ve been giving serious thought to investing in a camera.
She’s older now. Her eyes have yellowed and her teeth have long since left their birthplace. But, nothing a little liquor can’t fix, she’d say. She was on her way to the joint or permit room as they say these days when she ran into the old woman on her way to church.
“Morning Doris,” Loretta greeted in her high-pitched voice. She knew the names of most of the morning’s usual suspects.
“Morning,” Doris replied out of duty.
“Doris you’ve got a ten-er to spare? Give me please I need to go to the market today. I wanted to buy my dress material for Christmas.”
“I don’t have any money.”
“Ten rupees you don’t have?”
“No,” said Doris as she crossed the threshold of the big church door and sat beside the statue of St. Anthony. For Doris, Charity began at home. But, it never left the house to accompany her anywhere.
Loretta stood outside cursing and turned to complain to a statue of Christ the King, where she was joined by two other complainants and a petitioner. Loretta walked up beside the petitioner and using the petitioner’s ear as a microphone, complained to Christ the King about Doris being a selfish hypocrite whose prayers should not be entertained today. She even complained about the house down our street that’s not being used. Finally, her complaints grew softer and warmer and slowly evolved into a petition that was only meant to reach the ear of the petitioner beside her. Without turning around, he took out a ten rupee note from his breast pocket and handed it to her. She took it saying, “thank you, God bless you and may He grant you all that you ask for, just don’t ask for a house because he never gives those away” and turning around she left.
The joint was empty save for Gabby the one-eyed Casanova and Placid the bartender whose face was a deserving runner up to the morning deadpan award.
Placid’s bar is a story in itself and should be told one day, but today we’re waiting for Loretta to finish her drink and pass by our door. She’s finished her first drink and is contemplating a second, when Gabby the one eyed Casanova gets off his stool and walks over to her table to sit beside her. She ignores him even though he’s the only man in the world who really makes her feel like a woman all over again.
“Can I buy you a drink?”
“No thank you. “
“You always smell so good in the morning. Doesn’t she always smell good, huh? Placid, doesn’t she always smell good?”
Placid doesn’t reply lest he lose his place as Dead Pan Runner Up ’08.
“Tomorrow I’m going to bring you flowers. You like flowers? I’ll bring you nice flowers? Huh? You want flowers or no?”
“I don’t want anything from you.”
“You want a drink? I’ll buy you a drink. I’ll buy you one drink if you drink with me. You don’t talk to me. Just drink with me. Huh? Placid. Drinks. Repeat.
They drink in silence. Gabby keeps his promise and says nothing, but this moment is secretly the best time she’s had all week. She finishes her drink and mumbles something about market and dress material and leaves.

She makes her way past the fisherwomen and vegetable carts. She picks up a carrot and puts it in her little cloth purse that hangs around her neck. She makes a stop at a grocery store to ask for a cup of rice, which she fills in her cloth purse.
It’s only a few minutes before she turns down our road, but before her comes Doris from church. She’s in a better mood because the parish priest stopped to chat with her in the sacristy. She had asked to make her confession even though she knew that God knew that she hadn’t sinned since 1987. Her confession was more a set of complaints that really needed to be addressed at the office of Christ the King out front. But, the parish priest listened in silence and raised his hand - by the power vested in him - to forgive her, which was something she secretly thought was very hot. She replayed that final blessing in her head all the way home, which was why she had smiled at us when she passed our house.

Loretta made one last stop at the bakery on the corner of our street where she flirted with the salesman for a loaf of bread. The bread was for her pet dog named Bird. As she approached, we could hear her singing

“I’m coming home I’ve done my time. Now I’ve got to know what is and isn’t mine. If you received my letter telling you I’d soon be free. Then you’ll know just what to do if you still want me. If you still want me.”

She trailed off just before taking a seat at the bottom of our steps. She took the rice out in her hand and handed it to my mother saying,
“Just make this for me and put some chicken curry at the base like they do with biryanis. I feel like a biryani today and I didn’t want to buy one from the shop. Why spend unnecessarily, no? Correct? I wanted to go to the market today to buy something for Christmas. Have you done your Christmas shopping? What happened? You look very tired. You should make yourself a cool glass of lemonade. Go. Go make yourself something cool and make one for me as well. Actually I’ll have a beer. You’ve got any beer? I’d like a cool beer from Leopold Café. What say? You want a cool beer from Leopold Café in Colaba? I’m going there tomorrow. I need to go to Crawford market and buy some material, then I’ll go to my mummy’s house for lunch, take a nap in the afternoon and in the evening we’ll dress up and go to Leopold Café. They’ve got lovely prawn biryani. Prawns are very expensive now. That’s because there are no prawns in the sea. If you want good prawns you come with me. I’ll take you to a place in Dockyard. I know a chap there who used to sell me the best prawns. Twenty rupees for ten tiger prawns.” She took a moment to visualize ten tiger prawns and a Russian salad.
“What happened? You look very tired. You should take some medicine. I just took my medicine in the morning and now I feel good. You must look after yourself. See I just went and got myself a summer haircut. What do you think?”
She took off her headscarf to display a shiny baldhead.
“It’s my summer haircut. I showed it to Bird and he just couldn’t stop laughing. He’s going a little mad I think because he laughs all the time. There’s nothing wrong in laughing, you’re right, but you can’t be laughing all the time, people will think you’re mad like Doris. I know she doesn’t laugh at all, but she’s mad. You know something; she’s not to be trusted. She’s a cunning woman I tell you. Do you know what she did? Never mind, it’s not my business to get involved.”
She went silent for a while, but you could see from her eyes that her mind was racing… to another time, perhaps? A moment in her youth when she studied at St. Xavier’s College or another time when she was in love. But, that was a painful memory, we were told. The doctors said that it was a memory buried so deep that she would never be able to recall it, except maybe in dreams. Nobody knows why he left. Some say it was another woman, others say that she was always a bit cuckoo and so he left and some believe that it had nothing to do with a man at all. But, nobody knows the real reason for a woman - once beautiful, educated and cultured - to be found naked eighteen years ago in our church compound beside the statue of Our Lady. We only know that she never returned to her past world, which in reality was a twenty-minute ride on the train.
“What are you thinking?” She asked me. “You’re very pensive this morning. Don’t think, just enjoy life and be happy. As long as you have a house and a mother you’ll be happy. I tell Bird that everyday. He’s got a house and a mummy. He’s very happy. I don’t know when I’m going to move into my house. Did you find out about the key to that house upstairs? Find me a key for that house. There’s nobody using it. At least I’ll open it up, air it out, clean it up and use it. A house is meant to be a home for somebody, not a morgue for furniture. Am I right? She stopped talking and broke out into song again.
“I’m coming home I’ve done my time.
Now I’ve got to know what is and isn’t mine…”
“That’s my Bird’s favorite song.  Just see if the biryani’s ready. I don’t want to waste my morning sitting. You shouldn’t be sitting either. It’s not ready? Shall I go and do my marketing and come back? Will it be ready by then? Make me some salad also; a fresh green salad with some cucumber and carrot. Here take this carrot. I bought it from the market this morning. You want some beer? Shall I pick up some beer? No? Ok, just keep the biryani ready. What are you cooking for tomorrow? How about some fried pomfret or some shellfish? There’s a lot of shellfish in the market. Let me see what I can get. In the meantime, you keep the biryani ready and just see about that key. Ask them to give it to you. But, don’t mention it to Doris. She’s a twisted woman."
She stood up to leave, but sat down again because at that moment Gabby the one-eyed Casanova was walking by dragging his cycle along. He spotted her and stopped for a moment. He smiled like a schoolboy and not knowing what to do, he simply carried on, discussing the matter with his cycle as he passed.
“He’s in love with me,” she said to us. “I don’t think I love him back. But, I’ll wait and see. If he gets me flowers I’ll think about it.” She laughed to herself and stood up and left.

Friday, November 26, 2010

Rewind with Refund

Now, if I hadn’t gone to a convent school that charged Rs. 5 (annually) as per the “free education for girls” scheme by the Indian government, I’d be lining up to collect a refund from my Principal, Sister V. or shouting for the crucification of a certain Teacher G. who had the knack of torturing the class' ‘dull’ pupils in cold blood. Why, she even picked girls who had the same sadistic qualities to 'monitor' us in her absence.

Refund really brought up memories from my own school days. “Finger on your lips and pay attention… did I ask you to put your hand up?”, “Silence, get out!!”, “What a stupid question, bring your calendar here so that I can give you a remark”. These aren’t quotes from the play. But they capture the essence of the whole ordeal of a schooling system so flawed you leave tainted, scarred and so angry you wish it had materially cost a fortune just so you could ungratefully sue them for everything they're worth and more.

Anyway, here’s a link to my review of Refund, a surreal play about a man who returns to his old school to get a refund on his education. 

Sunday, November 14, 2010

30 Days in September

At times theatre critics must refrain from commenting on aspects such as scripting, directing and performances because some productions just speak to for themselves. At over 100 performances old, 30 Days in September is one of those plays so don’t read on if you’re looking for superficial gyaan.
The problem with plays with serious themes is that they often run the risk of smelling stale after exceeding their shelf life. But with this Lilette Dubey production no such odour emerged because child sexual abuse will always be a serious theme, a “real life” stigma that requires different mediums to refresh, repeat and remind us that it exists.

Mira (Ira Dubey) deals with the “guilt” of being sexually abused as a child with promiscuity, changing partners every 30 days. Believing that she somehow asked for “it”, she tries to blame her mother (Lillete Dubey) for turning a blind eye. Her open hostility and anger lead her nowhere until her mother reminds her that the few times she did see, it seemed like she was enjoying it, so her only option is to “forget the pleasure”. To this, quite hurt, Mira retorts, “the pleasure is the pain”.

This special showing of the play was sponsored by Arpan, a Mumbai based NGO that works towards spreading awareness among children and parents and counsels victims of sexual abuse. I’d done a story on some of their findings a few months ago (read here ). I really believe that among the many causes that need the limelight, this is one's most under-represented until a talking point in the media emerges. This feature germinated from a 12-year-old girl’s abuse by her cousin and his friends over two years.

I won’t get into enlightening you with facts and statistics you can get off Google.com or on Arpan’s Official Website. But I will say that 30 Days in September makes you respect theatre even more. Sure, they don’t often have the budgets to put on big, fancy productions or even turn-over enough to do it full time. But I guess its because thespians have nothing to lose or (mostly non-material) gain, you often see troupes experimenting with themes, creativity and realistically depicting social issues through identifiable characters.

So for once I’m glad to be writing about this issue without someone out there becoming the talk of the town. Watch this for the script, direction and Ira Dubey’s heart-wrenching and identifiable portrayal of Mira.

Saturday, November 13, 2010

The circus can be a great place to sleep


This blog exists to encourage the arts – performing arts beyond anything else. Which is why I decided to dedicate my Saturday afternoon to the Rambo Circus in Reclamation  grounds. My friend was quite keen on going as well so we allowed her two-year-old to accompany us so our presence would have some credibility.

“What a spectacular performance,” I would like to say. But even calling it a “spectacle” won’t cut it. Not this time round anyway. While the show had some good moments, the overall experience left me disappointed. The sound system was loud and so badly connected that we couldn’t understand a single word the narrator was booming into the mic.

The acts – you see them once, you’ve seen them all. There was an over-doze of acrobats, mostly women who were either balancing beams (falling off occasionally) or attempting to juggle large foam objects using their feet. Even the clowns couldn’t salvage the situation with their jokes because their voices were completely incomprehensible in the hum of music and scratchy speakers.

There were some good moments though – an American rope dancer goofily swinging to a Bollywood tune, African acrobats jugging each other around, and the daring young acrobats on flying trapezes. Its all about timing here and you couldn’t help ‘ooh’ and ‘ahh’ in wonderment as these acts really went with their instincts (and the knack for timing that only come with years of practice).

The Rambo Circus calls itself an “international circus festival” and with acts from the US, Nepal and Africa they technically are. But overall, most of the acts lacked poise, punch and the most important thing of all -- enthusiasm.

We had to leave before the show got over. Our two-year-old fell asleep. And a look at our watches told us that we’d been watching almost identical performances for over two hours. All our old favourites were gone – the lion tamers, the fire eaters, the clowns who love bouncing up and down trampolines? An elephant playing cricket is cute, but does it make the cut?

Most disappointing was the set up because it was tacky, stage hands didn’t even try to be subtle about their presence on stage and unenthusiastic clowns tried their best to distract the crowd from seeing all of this before going, whom are we kidding?

Play for work and work for play

Play for work and work for play
This is just a weekend roundup of interesting performances and needless to say, there are a lot of places I want to be this weekend but can’t. Anyway, for the sake of a second post, I’m going to list some of the most interesting happenings for this weekend.

Rambo Circus, Reclamation Mumbai: Haha. I went to this as a child, maybe 15 years ago? My friend Leo was there too and so was my sister. We hated the popcorn and loved the elephants. I don’t remember much more, except how petrified I was of clowns and the anticipation of watching the acrobats at play. They floated through the air, with the greatest of ease… and all that jazz.

Draupadi, NCPA: Gosh, I love a good experimental. Especially one sparked by a myth, an epic like the Mahabharata and the whole concept of it being “the lot of women to be used, abused and to suffer”. What can I say? We just have a higher threshold for pain, and the kind of patience the Buddha had to sleep (upright) under a banyan tree to attain.

30 Days in September, YB Chavan Hall: I’m actually going to this so watch this space for a review. The play revolves around a sensitive issue…  one that inspired a feature I once tried to write… I wanted it to be about Mumbai being a city where it was “the lot of women to be used, abused and suffer”. It somehow led to where I think I wanted to go to begin with. Child sexual abuse . Anyway, 30 Days in September is a play I’m really looking forward to.

The History of India VIRitten: A stand up comedy, not mocking Indian history but parodying the events that led to us being, well us. Another show I’m going for so watch this space for a review or at least a link to the review.

Bon weekend.

Friday, November 5, 2010

A theatre bug

New day, new blog and a million
more reasons to write
I’m a play reviewer who, for the longest time tried to keep my copy positive and balanced. In short, I wanted to be a writer whom everyone liked. They’d look at me and say, oh her, yes, she reviewed our play with such insight that it enlightened us to our own production and made us realise where we went awry.
Feigning this balance worked for some time. But then I realised, what the hell is going on here? It’s bad enough that I review almost every damn play in production, and all of them can’t, nay, aren’t good. In fact, only five odd productions actually stand out. So I decided, the time had come for me to word my views to represent what I truly thought, not what the audience’s laughter and claps make me think I should believe.
In shot, I decided to grow a pair, get me?
I’m a theatre reviewer on my way to becoming a theatre critic goddamnit. I’m not in the running for a Lifetime Popularity Award. I have the expertise, I have the knowledge and I have a goddam point of view. I guess the best that can be done is to put my thoughts out there without being too harsh, or forceful.
So welcome to my new beginning at the Caterpillar Cafe. I’m Afsha Khan, writer, theatre addict and book bug. Why don’t you check out one of my most recent play reviews?
Sigh, the actor just texted me to say thank you, and enquire whether I’d help him get a refund from New York Film Academy and The Barry John Acting Studio. Damnit…. Gracious actors who can smile in the face of criticism aren’t good for your conscience. The ungracious ones, you know the kinds who chase you with pitchforks and stakes are so much better because nothing builds more character and resilience than adversity.
On the brighter side of things, if this be the humility and sense of humour of thespians, I might have picked the right trade to write about. It also helps that I love what I do, no matter how many crappy plays I have to go for. I’m really passionate about sharing the Mumbai theatre scene with the world, and keeping it alive for an audience, many of who believe that theatre is considered fit only for the articulate “intellect”.
If it helps, I’m not articulate. Neither am I an intellect.

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